A genre-resistant Black band from Los Angeles spent two decades being too punk for funk, too funk for punk, and too good for either to ignore. A look back at the records, the live shows, and the institutional failure to give them their due.
The label gets applied to a lot of bands who would have rejected it at the time. Including, possibly, the band most synonymous with it.
READ →A small pile of new releases that prove there's still original work happening in genres people declared dead a decade ago.
READ →Three shows at small venues in San Diego. What worked. What didn't. Why the small room still matters.
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